People are easily the number one subject for photographs.
From party snaps, to photos of children and travel shots of family members in
front of famous monuments, millions upon millions of people photographs are
taken every single say of the year.
Portrait photography is a little different to general peoplephotography. The intent of portrait photography is capture and display
something of the 'essence' of a person; to say something about their character,
personality, or life.
The three most important things to get right in portrait
photography are camera settings, lighting, and your relationship with your
model.
Camera settings for portrait photography
Because taking portrait photographs is all about a person's
face (or if it's a wider shot, their head-and-shoulders), classic portrait
photography settings seek to remove anything distracting from the background of
the shot. This mimics the effect of looking at someone's face from very close
up, and makes the subject 'pop' (this is photographer-speak for 'stand out and
capture attention').
The way to achieve a distraction-free portrait photo is to
use a wide aperture, often as wide as possible (f/2.8 or f/4 are popular
choices). Wide apertures produce a shallow depth-of-field, which renders
anything far from the plane of best focus - i.e. the background - as a soft
blur.
Aside from a wide aperture, the only other important setting
is ISO. This should be as low a number as possible (e.g. ISO 100), as higher
ISOs will lead to digital noise, which is particularly ugly in a portrait.
There's one offshoot of portrait photography where the recommended settings are different, and that's environmental portrait photography. Environmental portrait photography seeks to show a person in their 'natural habitat', which is often their workplace. Here you want to show the background, so a smaller aperture is appropriate.
Lighting for portrait photography
Lighting in portrait photography can be as complicated as
you like. Professional portrait photography is almost always done in a studio,
where the lighting can be 100% controlled. If you're reading this, chances are
you don't have your own photography studio, so let's discuss a simple lighting
scheme you can set up at home.
First, position your model at a window. The light coming
from the window should be bright, but not direct (i.e. not coming directly from
the sun). You model should be facing you, side on to the window. Light from the
window light will obviously light up the side of their face that is closest to
it. Then, position something on the other side of your model that will bounce
reflected light from the window onto the other side of their face. Anything
white or reflective will do, for example a piece of white cardboard or a sheet
of aluminum.
Now you have a basic, flattering light scheme, with the main
light source on one side of your model's face, and 'fill' light from the
reflector on the other. Don't forget that you should frame the shot close
enough that the reflector is not in the shot.

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